Posts Tagged Tenkara Art

TAE

TAE . . .

Thank You. Arigato.
(NYC 05 2017)

 

Tenkara Advertising Entertainment

 

-rPs 05 19 2017

 

Postscript: Featuring The Green Guarantee

by ron P. swegman.

c.2017 by ron P. swegman. all rights reserved.

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Heroes: Gone

Heroes: Gone . . .

 

Harlem Meer Hielo Fino (NYC 01 2016)

Harlem Meer
Hielo Fino
(NYC 01 2016)

 

Thin ice spreads a broad surface steady cold winds skate across. Positioned beside a stand of dry cattail, exposed face feels a slap along the banks of the Harlem Meer, here one calendar month into Winter.

“David Bowie has died.” became an actual phrase as tough to bear. The headline’s words smacked me awake last Monday morning. Temperate December gone as a switch flicked on to a frigid January. What a way to begin. Then a man known to a young outdoorsman as “Grizzly Adams” portrayed by the now late Dan Haggerty, passed away.

Artist; Outdoorsman; Heroes: Gone.

Reading regenerates. Any flagging level of retention or enthusiasm for the written word must be engaged since for the writer the word can at times be work. Reading for professional growth becomes pleasure when the titles are as strong as Crooked Lines by Dominic Garnett and The Fishermen by Chigozie Obioma. Fishing is a subject rendered in broad terms on these pages. Story, profound and fun, can be found in every line.

January Reading (01 2016)

January Reading
(01 2016)

 

The light of Winter: brilliance filtered clear scenes of brown, white, and blue finished by a tangerine sunset. That light gives hope, braced by added good timing in the form of a gift of new shoes, Saucony cross trainers, paired with an Ebisu tenkara rod that received express professional service from the Repairs Department of Tenkara USA. Support of this speed and quality has allowed me to grieve by living life as fully as I can squeeze It into a day.

Ebisu (01 2016)

Ebisu
(01 2016)

 

Loss can be reabsorbed and channeled into positive productivity and even happiness when pushing into a period of life experienced at a higher notch. David Bowie lived such a life. He pursued multiple art forms to high levels. He could dance. The theater and film embraced his performance. And he painted. David Bowie, artist, left us a large body of painting and sculpture. My appraisal sees his his work fit the historical space adjacent to Francis Bacon when it comes to rendering human personality and psyche through expressionist treatment of the portrait face.

Fly tying and illustration fit right in step with this multimodal creative expression. Combined with writing, these arts and crafts can also bring a fishing book to term. Writing, like most all the creative channels, involves the malleable process of the Plastic Arts.

Small Fry & the Muddy Moreblacks (01 2016)

Small Fry & the Muddy Moreblacks
(01 2016)

 

Green Guarantee in Situ (01 2016)

Green Guarantee in Situ: colored pencil and original fly pattern on paper
(rPs 01 2016)

 

The setting of eleven on my own amplifier can be activated by the blending of art and sport. Running combined with some safe clambering over rocks, safe climbing of trees, legal catch and release fishing. Bird watching, cycling, and yoga can be included as well. After the stretch and a cool down, the documentation through multiple art forms may happen, sometimes. The cycle of (my) Life, work I deem ample enough for a human life span.

David Bowie gave insights into this way of living one’s life. Dan Haggerty breathed life into a character who carried such convictions into the outdoors. Activity and Art: a lasting living legacy, a positive path pointed out so well by two heroes: the sensitive animal man, last name Adams; the putative human, first name David.

– rPs 01 22 2016

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Tenkara & Sabiki

Tenkara & Sabiki . . .

Sabiki: pencils on paper (04 2015)

Sabiki: pencils on paper
(04 2015)

Sabiki rigs employ another Japanese method of catching fish. Perhaps some variation might be employed using a tenkara rod? Last year’s toe dip into the world of saltwater panfishing proved tenkara equipment was up to the challenge.

A Typical Sabiki Rig

A Typical Sabiki Rig

Stay tuned for more reportage from the salt. Meanwhile, traditional tenkara kebari remain a model for some of my sketches-in-progress.

Kebari Model and Sketch (04 2015)

Kebari Model and Sketch
(04 2015)

— rPs 04 30 2015

Postscript: Here is a link to last year’s initial foray into saltwater tenkara: https://tenkaratakesmanhattan.com/2014/07/25/the-salt-on-the-level/

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April Gray

April Gray . . .

Gray Ghost

Gray Ghost

The image at the head is a photo in situ of Gray Ghost, an original work reproduced in color on the pages of Philadelphia on the Fly.

Check “A Very Scary Fish Story” next time you crack open the first edition.

A Very Scary Fish Story

A Very Scary Fish Story

— rPs 04 07 2015

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Tenkara Art: Primary Kebari 2

Tenkara Art: Primary Kebari 2 . . .

Primary Kebari 2: a partridge and white warm season soft hackle. (image copyright 2015 by ron P. swegman. All rights reserved.)

Primary Kebari 2: a partridge and white warm season soft hackle.
(image copyright 2015 by ron P. swegman. All rights reserved.)

Partridge and White

The Partridge and White Rabbit kebari is another pale pattern for warm day hatch matches of light mayfly and caddisfly species in sizes 12 to 18. Note the traditional tenkara orientation of the feather hackle. Ribbed or not, the texture of angora rabbit adds extra body. Drift from upstream with the intent on guiding the float back to the angler’s waist or free hand unless the lure of the little trout or panfish intercedes first.

The illustration uses primary colors rendered in an abstract expressionist manner to contrast with the subaqueous white.

— rPs 03 30 2015

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Tenkara Art: Deer and Green

Tenkara Art: Deer and Green . . .

Deer and Green: an American kebari (image copyright 2015 by ron P. swegman. All rights reserved.)

Deer and Green: an American kebari
(image copyright 2015 by ron P. swegman. All rights reserved.)

The Deer Hair and Green is a soft hackle kebari tied with an American or Western oriented hackle. The recipe includes four-strand floss, French tinsel, and deer hair. Eastern brook trout are attracted to this pattern in size 14 through 18.

A large portrait of a small kebari lends an illustrative slant with a faded, marbled, impressionistic effect, the way the eyes perceive the soft blur of a pattern set in clear stream water. Colored and other pencils on acid-free paper in natural light remain my medium and process.

— rPs 03 23 2015

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