Posts Tagged mountain biking

RUSH-ing to the River

RUSH-ing to the River . . .

A fraction of Neil Peart’s philosophical artistic output
(NYC 01 10 2020)

(for Neil E. Peart, 09 12 1952 – 01 07 2020)
My fly fishing path has been often navigated by mountain bike. Ears free and open to the sounds of the way give my interior radio a  playlist, sometimes stuck on one incessant earworm, sometimes an album I have apparently memorized down to the mix, but always, either way, in music in mind rather than reflection or reminiscing thought.
The latter may best be for the page giving room to describe. Images, personifications,  full characters may dwell in music. There is the narrator of “2112” and the postcard report from “Xanadu.” Song sounds wave to me as I depart and welcome me at the end of an expedition. The tunes in between shift and lift my mood as needed.
Power and drive help me to pedal, later to cast. There are times when only the beat of my mental stereo can coerce the thighs to reach the smooth glide on the downward slope, or over the hump to the opposite bank. Such rhythms, internalized, get set in synch with the necessary speed and intensity of the physical motion, making a kind of yoga out of the outdoor sport. This is why I always have a little or a lot of RUSH.
For its combination of power, nuance, ad road-worthy imagery, I begin my day with the friendly voice of RUSH. This Canadian trio of rock remains relevant, having been the subject of several compelling documentaries over the last decade. And there is that little big thing of the band inducted into the Rock and Roll Hall of Fame.
RUSH also resisted the sentimentality circuit by staying a recording and touring together outfit for 40 years plus one. Retired now, since late 2015, and now, we also now know why. Farewell to “The Professor” — lNeil Peart: percussionist, lyricist, cyclist, and philosophical traveloguer.
The outpouring publishing since his passing reveals how broad and deep the man’s audience is. The irony not stated thus far, though, may be this that I noticed — for such a private man, he did share a heaping helping of his life in hindsight. Deep details is words and still images and instructional videos. He in fact shared far more life story than his two bandmates. I find this amusing, and bet it might even be a kind of chuckle already shared in the private world of RUSH.
Fans, deep and frequent listeners like myself and several I know, can usually mention this band now without enduring the rolling eyes of opinionated cynics. There was a time during university in the 1980s when an individualist would squeeze Peart into an art party circle discussion extolling Morrissey, Dylan, Lou Reed, and Leonard Cohen. “Hey,” I would say, “Peart is Canadian like Cohen, too.” At least the Whitesnake fan gave an affirmative nod.
Legitimacy established by perseverance and the Change with a capital C upon which Neil Peart often ruminated, RUSH remain in radio rotation.

First paragraph reveals joy of opportunity for an author to in print shout out “sources” even those contemporaries of philosopher status.
Excerpt from Small Fry: The Lure of the Little
(NYC 01 2020)

My appreciation of RUSH is doubled because drummer and lyricist, Neil Peart, the band’s primary engine and eyes, is an avid cyclist and speaks to those rhythms and BPMs. He began riding an “acoustic bike” between some cities during tours in the middle of the 1980s and explored China, South America, and West Africa off the road, literally.
Motorcycling and related writings then emerged as his passion after a period spent recovering from the trauma of losing his first wife and daughter within one year in the late 1990s.
When the band together again returned in 2002, “Ghost Rider” became my summer song, the song I would even attempt to sing as I road farther and farther to find fishable water.
That season was hot and a dry one, dust in the streets of Philadelphia, and New York, borne by winds of smoke from forest fires in . . .  Canada. Irony.
More simple, less worldly, then my main concern was how I felt unrequited love living in the townhouse next door and career stagnation in my day vocation. I escaped the workplace to write, or to fish, both often and hard, cycling twenty miles back and forth to smallmouth bass and brown trout rivers I could reach by bike from the city limits of Philadelphia.
“Sunrise in the mirror lightens that invisible load” . . . just like the song penned by Peart! My life at that time emulated musical art.
Reason(s) why? Peart can paint clean landscapes even in phrases of four words or less. Another lyrical talent is his use of strong nouns of place – “white sands / canyon lands / redwood stands / barren lands” – such images can alone describe an entire seasonal narrative along the water. Each works its way specifically because of the generality (the complex conveyed by the simple). Words of rock that speak to the full sensory experience in a manner still personal to an individual listener.
And that drumming! Percussion as complex as a Spey line with a wallet of tips, yet tempered as one switched to a steelhead, or tight to a smallmouth by 5-weight or tenkara rod; a stick, of sorts, not unlike that one for the drum.
Casting a line is rhythm after all, and Neil Peart composed “Mystic Rhythms” that continue to conjure moving pictures in the mind. That alone may explain why Geddy Lee, Alex Lifeson, and Neil Peart make my day’s road music.

Fly Rider:
Excerpt from Philadelphia on the Fly
(NYC 01 2020)

Rock and Ride and Write in Peace, Neil Peart
— rPs 01 14 2020
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“The River” . . .

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“Lucky”

“Lucky” . . .

 

Free Parking John Mutone, by mountain bike, loved to explore the bluffs and meadows of the Wiisahickon Valley. (photo from Small Fry: The Lure of the Little by ron P. swegman)

Free Parking
John Mutone loved two wheels to explore the bluffs and meadows of the Wiisahickon Valley.
(photo from Small Fry: The Lure of the Little by ron P. swegman)

Times gripped hand to hand are so deservedly storied that one just has to spill the secret into an ear, or onto a page, in order to keep the living images swimming in the full color flow of good memory.

The fish reflected silver and gold, red and black pebbled along its length: Salmo trutta; a brown trout. Why this one trout? All deserve to be celebrated more than most in this point of view. The answer may be traced to the person and place that made this fish a tale.

John, “Johnny!” is a competitive soul set at level BMX vertical drop hopper. Loud, happy, always holding a paperback in his hand. The other hand would hold up a water bottle or blunt. The guy could juggle roles and boom out in a voice matched with hardwood carpenter’s hands. He could fish, too, quick and precise casts of the fly rod.

Regular, he arrived disciplined as a clock, to drop in before drop off. I sat beside the 19th Street big window alone at a table spaced for three. My luck of place and time: John’s true tale came to my attention; I had been lucky enough to be reading alone at that table when his energized vibe entered the room and cleared away a rainy Tuesday evening.

John joined me with a mug of strong French roast and said: “You, of all people, ARE going to appreciate this.” I folded farther news, sat back. “Really? Shoot, or . . . Truit?”

John said his Memorial Day had begun uneventfully at La Colombe. Double Americano to stay. No regulars, including me, he noted.

“The usual urge to linger didn’t creep up and steal the morning.” He turned head on impulse to find a woman dressed in tight grey cashmere go by. His mouth shaped a whimsical sneer of a smile that was brilliant comedy. Everyone else grinned, too.

“I fueled up, circled once around Rittenhouse Square. Empty, man. No deserters. An older lady with a dog.”

North, he shot the short cycle over to Logan Circle where the parade could be viewed. The Calder fountain had been switched on with the unofficial start of the summer tourist season. The three reclining green bronze figures representing Wissahickon Creek, the Delaware River, and the Schuylkill River put him in a fishing mood.

She was with her family in DC. Whoa. No go to anyone else to mountain bike Wiss-ward with a plop into the secret pool in the park. He headed back to the crib and gathered his fishing gear to go.

Solo outing, quiet time, had evolved into a slow, fishless day along the water during one of the coolest spring seasons in his years of memory. The hillsides above the water had gone green, a line of goslings followed behind their mother goose. The river and its fish appeared, by their absence, to be still mired in late March. The list of fishes that normally wake in May water have a slower motivation rate when the thermometer continues to drop into the 40’s and 50’s, as it had that entire month, each and every time the sun sank below the horizon.

By four in the afternoon the incoming tide had reclaimed most of the rocks that make fishing a fly along the bank intermittingly possible. John didn’t bring the kayak and was in no mood to wade. He returned to where he had begun, and there remained just enough bank and time for a fellow shod in sneakers to make a last cast or two.

He checked his line and fly, added a second small bb to sink it more quickly in the deepening water, and sent out a back cast parallel to a current seam. The pattern went with the flow on a wet-fly swing and, once both line and fly were straight and hanging in the current, he began a retrieve with small, slow strips. The sky was becoming overcast, giving the river its most “fishy” of its myriad looks. Yoga with line and staff in motion and contemplation, dig?

The water’s surface reflected dark greens, liquid grays, and stony whites. Just as the fly pattern neared the one rock still partially exposed and dry, John lifted his rod into the high stick position, and there witnessed nothing less than an —

ERUPTION!

An aerodynamic fish launched out of the water, missile profile defying gravity by swimming in the air before his wide eyes, tenaciously chasing an evening meal that happened to be his feathered streamer.

A fish, and a very game fish at that. Action! At last! John had missed the grab yet, somehow, instinctively sent out the fly on an attenuated roll cast that placed the pattern just a few feet down from where the fish had surfaced. He was filled with the thrill, adrenaline surged, and yet.

He felt puzzled, too. The fish in the mental photograph he held was leaner than a bass and had a gold belly, and he swore he had seen spots as thick as a leopard’s, or a very wild trout’s.

“Couldn’t be” one of those. He half spoke out loud and half thought. “Not in the Schuylkill. Not here, man. Really?”

Maybe he had hooked grand –

SLAM!

The fish hit again in the same spot beside the rock, this time below the waterline. John set the hook and was suddenly attached to a taker that raced upriver, making a faster, longer run than most fish of size. The sky was mostly overcast now, an ageing, graying day, and the air and water were unseasonably cool, almost cold –

Trout weather.

Meanwhile, John was battling a fish near a big stone, a fish that felt like a trout. But this was not possible, since he was also facing the skyline of Philadelphia, Philly and that cynical line he had endured at La Colombe, the performance that later gave the conversation a hilarious flavor .

“Hear it once and out the other.”

“Not this time,” Ronnie. “This one keeps. It’s a keeper.”

“No Sure Kill! of a river !” And, to Johny’s amazement, three runs later, he landed a brown trout, a Center City Salmo trutta. And he had brought a camera to provide.

“Proof.”

He snapped as efficiently as he could change a tire on the circuit. “The fly fell out on its own, dude. Like perfect, man.”

John gently, respectfully, revived the trout; a fish that seemed to be less shocked to see and feel John than he was to see and feel it. He had to believe, though; the proof was holding, strong yet winded, between his two submerged hands.

“Lucky.”

John christened the fish.

“I was relieved I had caught it. Catch, and perform the release, not so much for pride, but for pedagogy.”

He hoped he had taught the fish a master class in selectivity. John wanted this one to never, ever, again encounter an angler feathered like the cormorant, or some hot shot named Ronnie who uses feathers bound on a hook.

Many anglers do fish for food to sauté’ or fry. Some even bake. Johny and I both bear witness to having seen most of it all. We saw hookers off the wall holding everything caught. Kept in a bucket. People minding rods beside the gazebo on the bluff across the river. Philly was going to be taking home some plump white perch for a Memorial Day backdoor fry.

“Who would have kept “Lucky” in a bucket?”

“Absolutely everybody, man. That fish would be bathing in steamed butter and onions somewhere.” Johnny just knew.

His keeper was a tale given to a fishing fan who fished only for stories to tell at the café.

John had a new one for sure, so he released his grip on the main character that slowly, almost hesitantly, cruised back to home stone, which now showed less than the tip of an iceberg.

“Lucky! Yes, you are!” John said, for both fish and fisher. “Lucky! Yes! Lucky Memorial Day!”

He was completely aware he was beginning to babble just as the tide was continuing to rise. The Schuylkill hugged him up to the knees and held his admiration; he had not yet considered moving from the “Lucky” spot. John could have stood there until the next day. Such situations often surround the satisfied. Damp was giving way to completely soaked as the reality he had caught a brown trout in Center City Philadelphia sank into permanent memory. Haloed in a soft rain, he at last waded, happy and a bit bewildered, out of “The Sure Cool!” river.

John slapped an envelope onto the worn wood tabletop in between us, breaking the spell of story.

“Open it,” he said with a smile.

I did so, and pulled out a 4×6 color photograph of his big right hand gently gripping a long brown trout. Pictured there also was a single liquid crystal of the river frozen in mid drip and the unmistakable painted gables of Boathouse Row in the blurred impressionist background.

– rPs 10 16 2015

 

Postscript: for John Mutone. “Ride in Peace, Guy.”

Small Fry: The Lure of the Little

Small Fry: The Lure of the Little

 

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