Archive for Tenkara Philosophy

The Winter Vice

The Winter Vice . . .

A Fly Tying Vise In Winter
(NYC 01 2019)

To tie the artificial fly is a proper way to spend fishing time when winter water runs under ice. Still water, too, so still as to be stiff, under ice. Time to read and write and tie the fly.

Why yes.

When winter warms, by whatever reason, the result is a new, almost opposite, reality: time when fly tying can be viewed as a vice, a vice practiced at the vise when you could instead get up and out and fish a rare treat — open water in winter.

Open Water In Winter
(NYC)

 

EARLY Season Largemouth Bass
(NYC,)

Winter water with active fish = tenkara happiness

— rPs 01 29 2019

 

 

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The Brown Belt

The Brown Belt

 

November: Stream Banks Bare But For Nuts

The brown belt of tenkara fly fishing seen in the riparian gone to seed, felt in the waders in the cold, in the damp, in the brief days of November. To earn it is to do it. The reward, layered as most good things are, is that the fish, though scattered, sporadic, remain strong, with a few willing to strike a kebari worked perhaps at a slower pace than in spring or summer.

 

November Fallfish

The sound of the moving water holds tight to a higher presence on a stream lined by trees bare but for nuts and a few aged leaves faded like worn pennants.

 

Swans, Lake
(NYC 11 2018)

The pond as well has weathered the autumnal transition, and with the leaf hatch over, the fallen herded into a few corner spots, open waters rippled by wind look dark chocolate. Tannin depth nurtured by the afternoon switch from light to night, brief, almost beyond belief.

 

Largemouth Bass
(NYC 11 2018)

The reward, to repeat, the reward is that the fish, though scattered, sporadic, remain strong, with a few willing to strike a kebari worked perhaps at a slower pace than in spring or summer.

— rPs 11 30 2018

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Shore and Stream

Shore and Stream . . .

 

Shore
(07 2018)

Photos are worth.

 

There is a Facebook user’s group named “Tenkara Where?” where one can see angling destinations speak for themselves in the thousand words of a single photograph.

 

So, then, so shall July be documented at TTM, not by pics of patterns or fish in grip, rather portraits of place, places angled in July 2018.

 

Stream
(07 2018)

— rPs 07 31 2018

 

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Lefty’s Rod

Lefty’s Rod . . .

The TFO BVK: acquired in memoriam of Bernard Victor Kreh
(NYC 04 2018)

 

April is National Poetry Month.

 

* Poetry CORNER *

 

 

April at the Bluejays

 

Mist belts all of the towers

At the waist,

Zipped locked lid not of lead, but of white,

Enlightened.

Wind winded rests, sets in sky unscraped stillness,

All is could,

Not even the scat siren extremes sing, no,

Jazzbulance,

Do within such mists near trees are hung lamps,

Enlightened,

More or less to describe the vibe, window open,

Spring blessed,

The rest no rest beyond brief evenings in nest,

Relaxed crest;

We let the robins sing all the evening,

We give the morning to all of the doves.

 

 

* Poetry CORNER *

Along the Flow
(04 2018)

Along the flow,
With Lefty’s rod,
And by Ebisu.
Tenkara is, too,
Verses not vs. ,
Knew and new.
— rPs 04 27 2018

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The Aliving I Do

The Aliving I Do . . .

20180129_134009

Hook to Hand: In Memoriam. (NYC 01 2018)

Winter, short days of natural light, on one a free hour to daydream over flies tied and once and for one tethered to a memorable fish brought to hand.

Retired, rowed under the white January light, the patterns, kebari alined in the Flybrary convey a line of gravestones, hand-to battles with individual fish, now in memory, ending well.

Two books in print gives one imagery of grace enough to give away, for a time, useful insight.

Writing, the noun, one encounters antecedents where Albert Camus traces the artist at work, or an artist, Gertrude Stein, who to the end collaged grammar and vocabulary into grand reads.

My first book in hand, dimensions of a collection of poetry. Oh, I forgot to mention in the preface:

“Start steady and seek the click rhythm worked into the prose and the cadence will carry you, ceate one of those satisfying read-in-one-extended-sitting kind of poetic books that Poe, Melville, Dostoyevsky, Kawabata, Camus, and Hesse have delivered.”

My book, at last, delivered and signed for at the cornershop on a July afternoon, picked up by me and back out on the sidewalk I raised copy #1 above the view of the leafy neighboorhood treeline in light sunny yellow and warm: I saw, I witnessed the punctuation mark to a project. I had completed some thing, words separated on purpose, as the thing itself seemed huge, philosophical, existential.

Book in hand, solid rectangle of heavy paper, cultivated, communicated a similar slab: the gravestone.

Yes, books, books you yourself author, are gravestones. Here lies, truths, of an atc lived within the intervals of your creative life.

Insight.

Yes, it is in the living, at times fishing, and in others kindred, in the documenting of the living in writing and at times select image, rendered, that drives the alive, the aliving I do.

Gertrude Stein, born in West Allegheny, PA, resided in Paris for a majority of her creative life; she wrote a lot.
(NYC 01 2018)

A New Year. 2018

— rPs 01 30 2018

 

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Blue Trout

Blue Trout . . .

Bluefish, Pomatomus saltatrix
(09 2017)

Temperatures have held high in humidity after a cool valley where August met September. Days have become shorter of light.

The seas have been swollen, due to the newsworthy vortices from the south and east. The view is broad, dynamic waves, bass from the raw power of waves that tackle rather than slap.

Time for albies, but before the linesiders, the bigger striped bass of autumn, both fish far too much for tenkara designed for trout. There is from the same jetties some times of clear sky and slack tide in September when the cocktail, quite the snapper in tooth, makes itself vulnerable enough, as in close enough, for successful multiple cast-hook-catch landings in the net.

Number Two Fish, Bluefish
(09 2017)

Tenkara in the salt remains an experiment rewarded. Bluefish of this size fight, the manic headshake like a trout of twenty inches, a trout with teeth. Most small Clouser or Charlie type patterns will lure fish. To land fish, your own skill at the cast in coastal breeze, and in arm wrestling with fish, is up to you.

Silver lining; the view:

Blued View: Bluefish Weather
(9 2017)

 

— rPs 09 29 2017

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50, Fish Day: Part II

50, Fish Day: Part II . . .

Bridge at 50
(USA 08 2017)

 

Fifty (50!) found me along a freestone stream. Water flowed, shared with kingfisher and heron, the frog, and a few scattered sulphers in the air.

The forage I chose to imitate through the day was the crayfish. A generic pale mayfly caddis passed the evening.

Before me, evening dawned, at the bridge, covered, once the grand entrance to a mill good for grit. This day, for me, the line of start and finish, explore and fish, the “Where?” spot in my own story met another’s, the baton this time released to a great blue heron, which spread wings, turned, flapped upstream with the carriage of a citzen.

Turned, bridge behind, current carried me from the back. Water clear and cool enough for trout. Scattered rain, drops vertical, under dynamic gray sky, some blue in passing patches.

What here encountered the tenkara scuttle of Green Guarantee and Deer and Herl kebari produced a double digit count of smallmouth bass, sandy or barred, and fallfish, bright as a tarpon, sipping both emerging and emerged.

Smallmouth: Barred
(08 2017)

Smallmouth: Sandy
(08 2017)

Sunset plus one, the hike in hardy wading pants under sky of brick red and blue, my pocket light lit the green marsh path, towing net, vested, kebari art, and tenkara baton down through a dark chapel of trees. The incandescent blue lane above my head lured my eyes up, out, there I glimped a meteor of The Perseids, and smiled.

Bright as a Tarpon:
Fallfish
(08 2017)

— rPs 08 23 2017

 

 

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