Archive for Tenkara Art

Feathers

Feathers

Beside the Book (The Tufted Titmouse Sips) 01 2015

Beside the Book
(The Tufted Titmouse Sips)
01 2015

There is a quiet brook in New York City where songbirds sip on the clear day after a storm. Sky spreads deep blue, frosted by feathers of cirrus cloud. Breezes make murmur within the mesh of tree branches above. All else remains quiet but for the birds in song and conversation. I have encountered the blue jay, cardinal, tufted titmouse, downy woodpecker, red-bellied woodpecker, black-capped chickadee, slate-colored junco, red-breasted nuthatch, red-tailed hawk, Cooper’s hawk, song sparrow, house sparrow, and rock dove.

Tenkara this January has become the art of fishing for feathers used in my fly tying. Plumes of pheasant, starling, partridge, and peacock are present beside my vise where I spend time tying a kebari, sketching a hook, writing a book in a natural light heightened by the bright white of fresh snow.

– rPs 01 30 2015

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Gone Fishing, Gift Giving

Gone Fishing, Gift Giving . . .

Happy 5th Anniversary!

Happy 5th Anniversary!

The deciduous trees are mostly bare now. Gingko and Norway Maple gold covers the hillside grounds and park places as the oaks alone hold onto rustling brown leaves. Cross country runs and hikes to and from local fishing spots have been giving gifts of time and rhythm to compose creative words.

During this same time, my second book, Small Fry: The Lure of the Little, has reached 5 years of age and remains in print. Here is a brief synopsis from the catalog page of The Whitefish Press:

http://www.whitefishpress.com/bookdetail.asp?book=87

Meanwhile, my first book, Philadelphia on the Fly, prepares for its 10th anniversary next year. The fact the book has stayed in print as an active seller gives testament to the importance of place in creative writing. When writing fish stories, a specific place often gives a reader added incentive to read:

http://www.amazon.com/exec/obidos/tg/detail/-/1571883614/qid=1125520154/sr=1-1/ref=sr_1_1/102-5425795-7768125?v=glance&s=books

Readers in return give incentive to render experience in words, although the act of writing can be an addicting pleasure in itself. I do have a few stores with a tenkara theme in the works. Progress continues as well on Little Hills: a novel. Special times pass when the flow is brisk and clear, when writing about fishing can be as fun as a good day along the water. Yes, even when one is not casting a fly pattern to fish, one can be “Gone Fishing” in the broader sense.

(Nearly) Ten Years Later . . .

(Nearly) Ten Years Later . . .

— rPs 12 03 2014

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April Light

April Light . . .

A Portrait-in-progress of an Amano Kebari (photo taken 04 28 2014)

A Portrait-in-progree of an Amano Kebari
(photo taken 04 28 2014)

May in Manhattan may start as predicted; beginning with cool rain.

The eye finds light labor and mind thinks how to work out images in contrast in two dimensions. This time the one color wrought shades gray: the gray that some years gives May as much abundant green as there is on this day of April light.

Clear, bright, today refracted sun sets the pencil in motion with an Amano Kebari portrait in repose on paper.

Just sketchin’ . . .

– rPs 04 28 2014

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Just a Second

Just a Second . . .

. . . As in Happy Second Anniversary . . .

. . . Tenkara Takes Manhattan . . .

Tenkara USA Ebisu: Lillian and spooled tapered line on the table. (photo taken 04 09 2014)

Tenkara USA Ebisu:
Lillian and spooled tapered line on the table. (photo taken 04 09 2014)

— rPs 04 09 2014

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The Luck of “The Spring”

The Luck of “The Spring” . . .

Harlem Meer Still White. (photo taken 03 13 2014)

Harlem Meer Still White. (photo taken 03 13 2014)

I made myself meet the water a few days before this St. Patrick’s Day. I caught and released one fish.

There was a sky full of helicopters, a loose chain of ambulances at emergency, and deep rumbling rolling in from the Northeast. Air, not natural, had burst from the seams and taken down a piece of Manhattan.

My day off: fishing as this was occurring. An awareness of balance, rather than a feel of guilt, charged my exploration of “The Spring” in Winter. Harlem Meer, I would learn later, was a solid white floor surround by the yellow brown fields of March. Lucky Me: I chose first a greener ground of jade where “The Spring” offered water along one of three shorelines, most of the best spread out behind a bankside fence I chose lawfully not to cross.

Hemmed within seventy-five feet of width, fifteen feet of breadth, and a depth measuring less than a rod’s length, I fished a Deer Hair, Peacock Herl, and Thread nymph of my own design. Plenty of cool casting onto the ice opened up to me on a 3.5 Level Line. Thin ice is like an immense, monolithic lily pad. Audible slides along the ice with a tug off to the depths make for a great presentation when successful. What works at an even higher level across the fishing spectrum is the same matched with a larger pattern: next an Olive Deer Hair and Floss Bucktail tied in a manner akin to a Mickey Finn, or with a sparse beard like my Green Guarantee, first described on The Global FlyFisher in 2008.

Tenkara on thin ice. (photo taken 03 13 2014)

Tenkara on thin ice. (photo taken 03 13 2014)

Four extended periods of disaster noise sounded in the distance as I began to fish. The rumbles reminded my mind’s ear of the Baghdad air war thunder shown (and heard) on television during both Gulf War I and Gulf War II. The news through the fog of dust and information settled on eight dead, many injured and displaced. A gas leak? Investigation on site has not yet been engaged in full because of debris. There has been that much material mixed with potential survivors, so great care has been taken.

On the top of the hour of one, a better blast sounded on my side. Luck struck. A sudden take a foot below the ice edge began to move. No winter sluggish fish was this; I saw twice in profile a thick bass with a purpose. The silhouette was a rounded female rather than a thin pickle of a male. I feared my tippet might fray as three runs under the ice audibly shaved my line against the blade on the water’s top.

My Ebisu tenkara rod’s entire 5/5 flex was on arch display. I gripped the pine handle as if it were a solid body guitar. Grip locked in, I was able to lead the bass around a fallow pickerel weed garden to shore.

Blurry? Cold, wet hand and big, fast bass! (photo taken 03 13 2014)

Blurry? Cold, wet hand and big, fast bass! (photo taken 03 13 2014)

I rarely lay fish on any surface for a photo except sometimes wet grass on rainy days. Skies overcast, air still, the fish remained calm and stretched as most largemouth bass will as it endured a bragging shot on packed damp soil beside my laminated ruler and Tenkara USA Ebisu. Best Honest Estimate: 15 inches, 2 plus pounds, female largemouth bass.

Tenkara can (sometimes) tackle big bass. (photo taken 03 13 2014)

Tenkara can (sometimes) tackle big bass. (photo taken 03 13 2014)

The Luck of “The Spring” . . . an ironic reward, when still in winter.

* *** * *** * ***

Angle 360

Doves dived
The depths of damp spring air.

The lake,
Biifurcated between water and ice,

Reflected,
Bare branches and brick towers.

In park,
Central to the whole reality,

One bass
Followed the ledge, following,

Up above,
Something crawling, scraping.

In went it,
Down into the wet water.

When tugged,
Wink, the line squared the circle:

The One and The Other
Spirited by connection.

.
* *** * *** * ***

My First Fish of 2014

– rPs 03 17 2014

Postscript: Read about the Green Guarantee at The Global FlyFisher by following this link:

http://globalflyfisher.com/writings/small-fry/pic.php?id=4614

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Winter Light

Winter Light . . .

My art supplies assembled around the sitter; an Amano Kebari. (photo taken 01 29 2012)

My art supplies assembled around the sitter; an Amano Kebari. (photo taken 01 29 2012)

The art studio replaces the trout stream and bass pond when the white skies of winter fill my Manhattan rooms with a pale light perfect for my drawing method. Today is such a day. I assemble my materials on the floor, assume the zazen position, and commence to document the fly pattern and the unique shape of its shadow during the given illustration session. The result, if I am successful, shall be a unique portrait. Today’s sitter: the Amano Kebari . . .

 

– rPs 01 29 2012

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